![]() ![]() But a few telling new chords are struck that make it clear Trent has swapped his narcissism for a different ism altogether. The lyrics are mostly recycled from old NIN records, with familiar lines about whoring, drugs and nothingness. In other words, it's a half-baked hodgepodge of V for Vendetta, Frantz Fanon, and the Book of Revelation. The rebels are fed up with the world around them and they’re exploding in fits of violence that appear more therapeutic than strategic. It's the end of the world as we know it, but Trent feels fine because there’s hope in a courageous “resistance” comprised of the wretched of the earth. ![]() Police murder club-goers and Muslims, the population is drugged into complacency, and all the while folks are having visions that the oppressive hand of God is reaching down from the heavens to rub their noses in the dirt. ” In this fairly humdrum dystopia the American government has used the terrorist threat to create a theocratic Big Brother State. Set 15 years in the future, it portrays a world where, according to Reznor, “greed and power have run their course. Year Zero is, to be fair, a fictional tale. But in the age of sacred terror, when the macabre needs no special effects department, do we really need a goth showman filtering his lethal Romanticism through the sieve of jihad? ![]() ![]() For Reznor, the pose is a paycheck, which was fine ten years ago when New Orleans was associated with Anne Rice novels, and a gaunt, absinthe-swilling vampire could ride that phantasmagoric death cab into the Billboard Top Twenty. Usually it fades the instant you get a nice girlfriend. Al Qaeda has finally found its rock star.įor most, this kind of tortured posturing is a phase that passes as one gains a bit of perspective on the universe. The album revels in apocalyptic imagery – the blood of the guilty, the blood of the pure – and features a homegrown video chronicling the last days of a righteous resistance. Now, after having spent the majority of his career in existential self-contemplation (or flagellation, as it were), Reznor seems to have found his political voice on the new concept album, Year Zero. He added FM rock flair to the experimental electronics of Cabaret Voltaire and Skinny Puppy, and made sadomasochism mainstream. Performing wrapped up in wires or covered with mud, orgasmically moaning about throwing himself away, Trent Reznor has long bestowed market appeal on all things transgressive. ![]()
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